![]() In a continuing effort to allow the photographer to have more control of detail in the shadow, midrange, and highlight areas of the image, Adobe has added Recovery. Click these arrows to toggle the blue and red out of gamut preview (see Figure 1.70).Ħ. If you look at the histogram in the top-right corner, you will see two arrows above the black point and the white point. Any shadow regions losing detail are designated with a blue tint, and any highlight areas losing detail have a red tint. However, the way ACR communicates which areas are losing detail due to underexposure or overexposure is through color mapping. This capability was invaluable to photographers. In Photoshop CS3, you had to click the Preview button for both the Shadows and the Highlights at the top of the interface to observe which areas were losing detail due to underexposure or overexposure. The Exposure slider will help you make adjustments to any overexposed or underexposed images. Make sure that you select Automatically Open All Supported JPEGs for the JPEG option and Automatically Open All Supported TIFFs for the TIFF option.ĥ. On the bottom, you will see a section titled JPEG and TIFF Handling. ![]() Under that heading, click the button called Camera Raw Preferences. Under the File Handling menu, you will see a section titled File Compatibility. One is in the Photoshop preferences (Ctrl+K/CMD+K). If you want your raw, JPEG, and TIFF files to open automatically in ACR, then you can specify this in two places. You can open TIFF and JPEG images in ACR this way as well. Just rightclick the thumbnail and select Open in Camera Raw from the list. Bridge gives you the most effective way to open your images in ACR. These changes will not only allow you to gain a better handle on correcting contrast, white balance, or sharpening, but they will also give you the ability to clean up any imperfections having to do with the dust on your sensor, correct red eye, and use new improved tonal and color correction tools. You’ll immediately see some improvements to the ACR interface. You are now going to gain some familiarity with the power of the new ACR 5.3 (Adobe Camera Raw) interface. Use Bridge to navigate to the file, right-click, and select Open in Camera Raw. You may use your own raw files, or you can use the one provided in Tutorials/ch 1 original images/sanddune.crw. It will now open TIFF and JPEG as well, which you’ll see later. It is important to note that the new ACR will not just open raw formats. Inversely, the center of the graph all the way to the right represents the middle to brighter tonalities toward white.Ī higher vertical mound indicates a greater amount of those particular tones and colors in your image. Any information from the center to the left of the graph represents the middle to lower tonalities until it reaches black. Note the histogram in the top-right corner, which displays the tonal information representing the red, green, and blue channels independently. The tonal, color, and effects controls are on the right, and the workflow and resizing options are on the lower left. ![]() It shows the basic preview pane that takes up the bulk of the interface. Figure 1.63 shows an overview of the Adobe Camera Raw (ACR) interface.
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